With the ending of Donald Trump's impeachment trial, photographer Melanie Wenger's is sharing her new story Cowgirls Don't Cry, a snapshot of a fragmented reality.
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Photographer Tim Franco's Artic Fishing has been published in the first issue of the revived magazine EPIC.
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Maxim Sarychau has won the Belarusian national award PRAFOTA Digital Storytelling Grand Prix. The award-winning project, Resistance is Futile, is a longread created by a team of journalists for TUT.BY media, a major online news source, based on the photographer's personal project "I don't want to kill you" about police violence.
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Tim photographs the hikikomori of South Korea, people who have withdrawn from society and human contact for so long that many have forgotten skills such as how to interact with other humans. This work work has been published in Wired Magazine.
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Maxim Sarychau has opened a solo exhibition of his project I can almost hear birds at Gallery KX in Brest, Belarus. The exhibition was shut down by local authorities after only one day.
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Belarus' Legacy, laureate of the Grenoble Month of Photography organized by La Maison de l'Image is currently visible in 360° virtual tour.
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Photographer Melanie Wenger's Flying Zebra and Darted Arabian Oryx were part of the National Geographic best animal photos of 2020 curated by Natasha Daly and Ally Moreo. The pictures were shot on assignment for @natgeo for a story published this summer.
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Phyllis B. Dooney's ongoing project “The Vertigo Of Time,” was selected as a finalist for the Aftermath Grant 2021. This project presents a mosaic of the homes and histories of American families – descendants of the enslaved population of Stagville Plantation in Durham, NC.
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Maxim Sarychau's work was published in Outriders media. A highly dense series that focuses on the decentralized core of the ongoing protest wave in Belarus.
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