Aï Todor Les Sablettes
Livadia Toulon
Palais de Livadia Impasse Séraphin
Le Tchekhov Lou Pichoun
Sébastopol Toulon
Haspra La Seyne-sur-Mer
Pensionnat Kurpaty Tour Royale
Balaklava Brignoles
Gourzouf Méjean
Yalta Toulon
Ai Todor Saint-Mandrier-sur-Mer
Alupka La Valette-du-Var
Yalta Toulon
Livadia Le Brusc
Palais du Nid d'hirondelle Chemin des douaniers
Sébastopol Toulon
Gourzouf Ile Du Gaou
Balaklava Saint-Mandrier-sur-Mer
Balaklava Toulon
Balaklava Toulon
Yalta Six-Fours-les-Plages
L’Argo La Flore
Yalta Toulon
Parus Evenos
Livadia La Tour Fondue
L’Atlantida L’Intrépide
Alupka Signes
Yalta Toulon
Sebastopol Toulon
Gourzouf La Garde
Livadia Le Pradet
NOIREMEDITERRANEE
Black Sea and Mediterranean Sea, Yalta and Toulon, Sebastopol and Saint-Mandrier, Var and Crimea. It’s the same story of naval bases, cicadas, hot and salty horizons. In fact, Russian sailors from Kronstadt anchored in the port of Toulon 150 years ago.
You don't believe in borders, or time, or space. You shoot two rays of southern light, then you superimpose them, you complete the reflections, collect the fragments. Connect the differences. This is your story after all. And your job, to show differently.
It's like the "golden" photos of Crimea: scan black and white negatives in color mode and discover that the plastic of the film itself has a slight tint and turns golden when contrasted. An intrinsic color. A revelation, almost.