On assignment for the Wall Street Journal, Inland photographer Tim Franco took portraits of June Pail, founder and CEO of FuriosaAl, a Seoul-based startup taking on Nvidia with its own Al chip design.
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Inland photographer Tommaso Rada’s work is featured in O Registro do Olhar (The Record of the Gaze), a collective exhibition presented by AVA Galleria Rio as part of the BELA Bienal (European and Latin American Biennial of Contemporary Art). The show, curated by Edson Cardoso, brings together artistic works from diverse cultures in the same space.
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Photographer Mélanie Wenger was on assignment for Le Figaro Magazine, with writer Nadjet Cheguiri, for a series published on December 5, 2025, examining the impact of Donald Trump’s mass deportation policy.
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In December 2025, Mélanie Wenger’s Project 114 held its fourth atelier at Fleury-Mérogis prison, Île-de-France, bringing together 7 men and 13 women who volunteered to take part in a collective creation.
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During the week of Paris Photo, Matjaž Tančič was showing his work in Sex and Politics — an exhibition in Paris exploring the complex intersection of sexuality and power.
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Photographer Tim Franco opens his solo exhibition “Vestige” at Arise Art Space in Busan (South Korea) on December 6th.
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Photographer Matjaž Tančič is exhibiting seven works from his Mars on Earth series in Scientific Vision & Internal Illumination at Fotografiska Shanghai. The exhibition is on view now through March 2026.
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Photographer Romain Philippon is featured in the new Best in Travel edition by Lonely Planet, contributing an eight-page portfolio on Réunion Island. His work is also highlighted on the cover of the book’s dedicated website.
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As part of a story for Libération, together with Arthur Laffargue, Tim Franco visited the Unification Church’s stronghold in Gapyeong — an out-of-place palace, a giant church, a Heaven Burger joint, and a dedicated shopping mall filled with portraits of the sect’s founders.
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As part of the Fotohaus Berlin 2025 program, the exhibition series “Kontroverse & Paradoxe 2: How to Re-Enchant the World” will feature a special screening of “Thrutopia", bringing attention to artistic reflections on the paradoxes of our time.
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Masoumeh Bahrami was awarded a €1,500 grant to support the next chapter of her project “Tears of Motherland” as part of Inland’s “Sustaining Stories” workshop on Investigative Environmental Storytelling, held in collaboration with Journalism Fund Europe.
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